Photographer Spotlight
Angel Hubris :
Angel Hubris (they) is a multi-disciplinary artist based in Brooklyn, NY/Lenapehoking. They work with photo, sound, video, sculpture, performance, and text. Their work explores belonging/displacement, identity, violence, gender/sexuality, the body politic, mysticism/occultism, dis/ability and disobedience. Their most recent work, ‘DOG//GOD’ was featured on Montez Press Radio in October 2023.
Angel, aka Bimbi, also is a jewelry designer, and owns the fashion brand Bimbo in Limbo. Adorning bimbos, weirdos, and bffs, their jewelry is one-of-a-kind, handmade, and incorporates beads of semi-precious stones, glass, clay and more with the intention of bringing protection, abundance and joy to the wearer.
Personal IG: @angel.hubris - https://www.instagram.com/angel.hubris
Jewlery IG: @bimbo_inlimbo - https://www.instagram.com/bimbo_inlimbo
Inquiries; Commisions to work; to be added to their newsletter - email: bimbisweatshop@proton.me
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I have been photographing intentionally and experimentally since 2016.
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I realized that my dreams and desires were misdirected and I could no longer ignore the call to be an artist. I was in the middle of a masters in Public Health and I was studying a lot so I wanted an art practice that would help me leave the house and spend time with the world.
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I prefer my film camera, my Olympus OM-1.
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In the summer of 2017, I went to Durrës, Albania to visit my grandparents. I brought an Olympus OM-10 and 35mm color film. The resulting photographs document both the city by the sea and the daily life of my grandparents. My grandmother is a two-time cancer survivor and disabled. Her world occurs in three rooms and a balcony. My grandfather, on the other hand, is in excellent shape, and swims three times a day in the Adriatic Sea. I documented the sweet moments of their very different daily activities as an elderly couple.
With my grandmother, we talk while she drinks coffee or does her nails. My grandfather and I tour the town together. I immigrated to the US with my parents when I was two. I didn’t experience the fall of communism, the economic shocks, the collapse of three pyramid schemes, the civil war, or the growth of the drug trade in Albania.
Whenever I return, I have a fairytale experience as someone with North American privilege; the systemic negligence of infrastructure is just an inconvenience on vacation. I know the reality is much harder to endure, but my photos from 2017 capture this delusion of sweetness and a nostalgia I’ve nourished from stories that I’ve been told about the raw connection between people and the earth in Albania.
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The colors, the tenderness, the light. In the street photo of the boardwalk, I love that when you gaze from left to right, people of all ages are present, chronologically, even. The baby on the left entering the scene and the elderly friends exiting together evoke so much feeling in me.
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My friends Luigi Morris and Loló make amazing portrait and protest work. My friend Brae LaWren is a fashion and portrait photographer and I love her work as well.
I’m very interested in performance art right now and Young Boy Dance Group gives me life. Also, I’m always following the work of Monica Mirabile and Crackhead Barney. I love brave, bold, absurd, abject work.